Painting 2 – Studio practice
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Assignments
Assignment 1
Assignment 2
Assignment 3
Assignment 4
Assignment 5
Assignment 6
Coursework
Part 1 -Painting and/as performance
Project 1: Gesture
Project 2: Alternative painting tools
Project 3: Visual reflection
Project 4: Things perform for you
Project 5: Considering Painting
Part 2 – Contemporary approaches to still-life
Project 1: Object table development
Project 2: Observe and record
Project 3: Exploring space
Project 4: Reflective exercise
Project 5: Still life and the Combine
Project 6: Painting in the round
Part 3 – Prop, performance, stage
Project 1: Working from props
Project 2: Becoming an image
Project 3: Constructing narratives
Project 4: Reflective surfaces and framed views
Part 4 – Parts of a painting
Project 1: Reimagioning the canvas
Project 2: Paint as material
Project 3: Reflective exercise
Project 4: Painting without paint
Project 5: Colour
Part 5 – Working with words
Project 1: Working with text
Project 2: Parallel Project
Project 3: Locating titles
Project 4: Writing out of the Parallel Project
Part 6 – The critical review
Critical Review – draft outline
Critical Review Essay – Draft V1
Research
Part 1
Julie Mehretu
Shen Wei and Tony Orrico
Painting without the brush
Jackson Pollock
Not knowing, how artists think
Jessica Warboys
Part 2
Gabriel Orozco
Cubism
Tender buttons
The studio
The Combines
Part 3
Artists who have used clothing in their work
Boo Ritson & Phillip Guston
Hands
Reading point: Appropriation artists
Narrative
Mirrors and mirrored surfaces
Part 4
The canvas as a surface
Lynda Benglis
The use and impact of material
Part 5
Artists that use text
Sketchbook
Sketchbook 1
Sketchbook 2
Gallery Visits
Jacqui Hallum
Parallel Project
Reflection and Assessment
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Part 6 – The critical review
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Painting 2 - Studio practice 